Hallo,
da Thorsten ja beim Thema Beatles "humorlos", aber überaus kompetent ist, formuliere ich es mal diplomatisch: Humphrey Lyttletons Piano Riff beim "Bad Penny Blues" hat doch deutliche Ähnlichkeiten mit dem der Beatles bei "Lady Madonna". Was sagt der Fachmann? Hier die Theorie:
"The piano riff of Humphrey Lyttleton’s Bad Penny Blues, played by Johnny Parker, allegedly inspired Paul McCartney ivory-tinkling on Lady Madonna. Engineered by the legendary Joe Meek (who should have received the producer credit), it was the first British jazz number to reach the UK Top 20. Lyttleton, a jazz traditionalist, did not like the song on account of Meek’s innovations.
The aristocratic Lyttleton, who died in April last year, was a colourful character. Apart from playing jazz, he was also a cartoonist for the Daily Mail (which at the time evidently still employed left-leaning characters). At school, he played in a band with the journalist Ludovic Kennedy, who died last month. The trumpet was his constant companion, it seems. During the war, he reportedly landed on Salerno beach during Operation Avalanche with gun in one hand and trumpet in the other. On VE Day, the BBC filmed him celebrating the defeat of Nazi Germany sitting in a wheelbarrow playing his trumpet. For 40 years he presented a jazz programme on BBC radio, retiring the month before his death. He also appeared on the BBC radio comedy quiz show I’m Sorry, I Haven’t Got A Clue; one of his replacement after his death was the magnificent Stephen Fry. And in 2001, he contributed to Radiohead’s Life In A Glasshouse.
To spoil a good story, McCartney says that the piano on Lady Madonna was in fact inspired by Fats Domino, whose vocal style he also tried to replicate. And, in fairness, I can’t hear much similarity between Lyttleton’s and McCartney’s songs.
There is, however, more than just a little similarity between Lady Madonna and alternative rock outfit Sublime’s 1997 hit What You Got. The latter’s first verse melody is almost identical to that of the Beatles’ song. Apparently the Sublime song, released after lead singer Bradley Nowell’s death, was based on a song by called Loving by Jamaican dancehall singer Half Pint. He gets a writer’s credit; McCartney doesn’t" (Quelle: The Major Dude).
Gruß Ralf
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