https://payhip.com/cmusicbooks
Für 8.95 $ gibt es sehr reich in s/w und farbig illustrierte 510 Seiten.
Das Inhaltsverzeichnis beträgt alleine 7 Seiten (S. 4 bis 10).
Unglaublich viele Label Abbildungen (teilweise verschiedene zu einer Platte),
Fotos, Werbeanzeigen und tonnenweise alte Zeitungsausschnitte.
Grossartig Herr McParland!!!
Ich bin sehr erfreut, dass auch ein Mitglied dieses Forums (Dieter M.) in der Danksagung erwähnt wird!
SURF-ARAMA AMERICANA AUSTRALIS
By CMusic Books
AMERICAN & AUSTRALIAN
SURF MUSIC 1963-1964
CORRELATION AND COMPARISON
510 PAGES
OVER 4000 B&W AND COLOUR IMAGES
UNLOCKED PDF DOCUMENT
This E-BOOK looks at the form of popular music known as SURF MUSIC, particularly American Surf Music in Australia; the various releases (in all their different guises) and the effect they had on the local teenagers and music industry.
The book also attempts to compare Australian Surf Music and American Surf Music – the differences and the similarities (“Correlation & Comparison”) – in music (including all the different off-shoots such as hot-rod music, snow skiing music, skateboard music, etc., etc.), the recording artists involved (on both sides of the Pacific), television shows featuring surf music, the social aspects accompanying surf music and lots more.
Also documented is Australian Surf Music product released in America.
A detailed and exhaustive look and documentation of the STOMP (aka the Surfers Stomp) dance craze is likewise undertaken, focusing on both Australia (where it was HUGE) and America.
For Beach Boys fans, there is also a detailed account of the Beach Boys’ first Australian tour (SURFSIDE ’64, January 1964) and a look into LARRY DENTON, the mysterious singer who Brian Wilson produced a few weeks after returning to America following the Surfside ’64 tour package, in which Denton was also a participant.
Brian Wilson’s Warner Bros. Records sessions with both The Honeys and The Castells (undertaken at the same time as those with Denton) are also documented in detail.
A full listing of what can be found within this book can be found at:
https://cmusicbooks.wordpress.com/
This is also the third of the "PRINT YOUR OWN BOOK" series.
There is no lock on the contents.
Therefore, in order to save you postage and printing costs, you can download this book and print your own copy.
I am providing this in good faith and hope that this generosity is not something that will be abused.
The contents are copyrighted, but available for you to download for your own personal convenience and enjoyment.
You will get a PDF (1GB) file
Für 8.95 $ gibt es sehr reich in s/w und farbig illustrierte 510 Seiten.
Das Inhaltsverzeichnis beträgt alleine 7 Seiten (S. 4 bis 10).
Unglaublich viele Label Abbildungen (teilweise verschiedene zu einer Platte),
Fotos, Werbeanzeigen und tonnenweise alte Zeitungsausschnitte.
Grossartig Herr McParland!!!
Ich bin sehr erfreut, dass auch ein Mitglied dieses Forums (Dieter M.) in der Danksagung erwähnt wird!
SURF-ARAMA AMERICANA AUSTRALIS
By CMusic Books
AMERICAN & AUSTRALIAN
SURF MUSIC 1963-1964
CORRELATION AND COMPARISON
510 PAGES
OVER 4000 B&W AND COLOUR IMAGES
UNLOCKED PDF DOCUMENT
This E-BOOK looks at the form of popular music known as SURF MUSIC, particularly American Surf Music in Australia; the various releases (in all their different guises) and the effect they had on the local teenagers and music industry.
The book also attempts to compare Australian Surf Music and American Surf Music – the differences and the similarities (“Correlation & Comparison”) – in music (including all the different off-shoots such as hot-rod music, snow skiing music, skateboard music, etc., etc.), the recording artists involved (on both sides of the Pacific), television shows featuring surf music, the social aspects accompanying surf music and lots more.
Also documented is Australian Surf Music product released in America.
A detailed and exhaustive look and documentation of the STOMP (aka the Surfers Stomp) dance craze is likewise undertaken, focusing on both Australia (where it was HUGE) and America.
For Beach Boys fans, there is also a detailed account of the Beach Boys’ first Australian tour (SURFSIDE ’64, January 1964) and a look into LARRY DENTON, the mysterious singer who Brian Wilson produced a few weeks after returning to America following the Surfside ’64 tour package, in which Denton was also a participant.
Brian Wilson’s Warner Bros. Records sessions with both The Honeys and The Castells (undertaken at the same time as those with Denton) are also documented in detail.
A full listing of what can be found within this book can be found at:
https://cmusicbooks.wordpress.com/
This is also the third of the "PRINT YOUR OWN BOOK" series.
There is no lock on the contents.
Therefore, in order to save you postage and printing costs, you can download this book and print your own copy.
I am providing this in good faith and hope that this generosity is not something that will be abused.
The contents are copyrighted, but available for you to download for your own personal convenience and enjoyment.
You will get a PDF (1GB) file
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| Dateiname: | SURFARAMA EMAIL BLUR … N(1).doc |
| Dateigröße: | 1.91 MB |
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